The exhibition Fabric: Textile and the Female Nude explores the connection between textiles and the female nude in art. Featuring works from early 17th-century masterpieces to contemporary pieces, the presentation at Villa Schöningen illuminates this and related themes across various artistic genres.

Radical Software: Women, Art & Computing 1960–1991 will be the first of a series of group surveys based on original research. It presents the work of approximately fifty artists including painting, sculpture, installation, photography, film and a large number of computer-generated drawings and texts. This exhibition adopts a feminist perspective on the history of artists’ experiments in the pre-internet era of computing.

dépendance VIEW is pleased to announce Empreint_Jdirai_ Odissey (The Good Society), Anne-Mie Van Kerckhoven’s first solo with the gallery, marking a new chapter in her artistic career. The exhibition features a new body of work alongside historical pieces across various media, including collages, digital prints on Plexiglass and PVC, archival drawings, and a newly produced video.

In “Dudoute_Toaster_Absolu (AMVK 1981–2025)”, Anne-Mie Van Kerckhoven’s life and career come to a “full circle” moment. The exhibition reflects her belief that she herself has become the structure that guides her creative process—a dynamic interplay of past, present, and future that invites audiences to witness the eternal recurrence of her life and work.